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After modernism : the dilemma of influence.
(eVideo)
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Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Michael Blackwood Productions in 2000.
Description
The purposeful dismantling of the modernist myth has been the central issue of contemporary art making and art criticism. Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism's privileged canons have become absorbed into an ever expanding field of activity and influence. Younger artists are a new breed of cultural scavengers -- anything or anyone is fair game for appropriation or reinterpretation. Meaning is no longer fixed, context is everything. However, despite this willful upending of aesthetic hierarchies, the issues and traditions of modernism do persist, ultimately revealing modernism itself to be richer and more complex than previously considered.
System Details
Mode of access: World Wide Web.
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Citations
APA Citation, 7th Edition (style guide)
(2014). After modernism: the dilemma of influence . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. After Modernism: The Dilemma of Influence. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)After Modernism: The Dilemma of Influence Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)After Modernism: The Dilemma of Influence Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
258927ed-ddac-43c4-fe58-ae154d0e60a4-eng
Grouping Information
| Grouped Work ID | 258927ed-ddac-43c4-fe58-ae154d0e60a4-eng |
|---|---|
| Full title | after modernism the dilemma of influence |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-10-14 11:50:17AM |
| Last Indexed | 2024-04-27 02:13:07AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jul 19, 2023 |
| Last Used | Jul 26, 2023 |
Marc Record
| First Detected | Oct 14, 2022 11:51:12 AM |
|---|---|
| Last File Modification Time | Oct 14, 2022 11:51:12 AM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by Michael Blackwood Productions in 2000. | ||
| 520 | |a The purposeful dismantling of the modernist myth has been the central issue of contemporary art making and art criticism. Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism's privileged canons have become absorbed into an ever expanding field of activity and influence. Younger artists are a new breed of cultural scavengers -- anything or anyone is fair game for appropriation or reinterpretation. Meaning is no longer fixed, context is everything. However, despite this willful upending of aesthetic hierarchies, the issues and traditions of modernism do persist, ultimately revealing modernism itself to be richer and more complex than previously considered. | ||
| 538 | |a Mode of access: World Wide Web. | ||
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| 650 | 0 | |a Art criticism. | |
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