Germany’s Cold War Cultures 1949-1989.
(eVideo)

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Published
[San Francisco, California, USA] : Michael Blackwood Productions, 2009., Kanopy Streaming, 2019.
Format
eVideo
Language
English

Notes

General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Bernd Becher, Georg Baselitz, Gerhard Richter, Hans Haacke, Hilla Becher, Isa Genzken, Joseph Beuys, Konrad Klapheck, Sabine Eckmann, Stephanie Barron
Date/Time and Place of Event
Originally produced by Michael Blackwood Productions in 2009.
Description
During the Cold War (1949-89) in both Germanys, the creation of art, its reception, and its theorization were closely linked to their respective political systems: the Western liberal democracy of the Federal Republic of Germany (FRG) and the Eastern communist dictatorship of the German Democratic Republic (GDR). In reaction against the legacy of Nazism, both Germanys revived pre-World War II German artistic traditions. This exhibition examines the internalization of historic German art, the increasing importance of popular and mass culture, the fashioning of two distinct national identities, and the engagement with Germany’s political and artistic past. By tracing the political, cultural, and theoretical discourses in both German art worlds, the exhibition shows the role of conventional art, new media, new art forms, popular culture, and particular domestic and international contemporary art exhibitions that played a role in the establishment of German art in the postwar era. “Art of Two Germanys: Cold War Cultures” is the third ambitious exhibition on 20th century German art. We accompany Stephanie Barron, curator of the exhibition, and Sabine Eckmann, curator of the exhibition catalogue on a walk-through of this critical re-consideration of German post-WWII art.
System Details
Mode of access: World Wide Web.
Language
In English

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Citations

APA Citation, 7th Edition (style guide)

Blackwood, M., Becher, B., Baselitz, G., Richter, G., Haacke, H., Becher, H., Genzken, I., Beuys, J., Klapheck, K., Eckmann, S., & Barron, S. (2009). Germany’s Cold War Cultures 1949-1989 . Michael Blackwood Productions.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michael, Blackwood et al.. 2009. Germany’s Cold War Cultures 1949-1989. Michael Blackwood Productions.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michael, Blackwood et al.. Germany’s Cold War Cultures 1949-1989 Michael Blackwood Productions, 2009.

MLA Citation, 9th Edition (style guide)

Blackwood, Michael,, et al. Germany’s Cold War Cultures 1949-1989 Michael Blackwood Productions, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
1b8ca6b4-0e20-31aa-226f-72f8ac758c2b-eng
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Grouping Information

Grouped Work ID1b8ca6b4-0e20-31aa-226f-72f8ac758c2b-eng
Full titlegermany s cold war cultures 1949 1989
Authormichael blackwood productions
Grouping Categorymovie
Last Update2022-10-14 11:50:17AM
Last Indexed2024-03-27 02:04:11AM

Book Cover Information

Image Sourcesideload
First LoadedJul 1, 2023
Last UsedFeb 20, 2024

Marc Record

First DetectedOct 14, 2022 12:07:32 PM
Last File Modification TimeOct 14, 2022 12:07:32 PM

MARC Record

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518 |a Originally produced by Michael Blackwood Productions in 2009.
520 |a During the Cold War (1949-89) in both Germanys, the creation of art, its reception, and its theorization were closely linked to their respective political systems: the Western liberal democracy of the Federal Republic of Germany (FRG) and the Eastern communist dictatorship of the German Democratic Republic (GDR). In reaction against the legacy of Nazism, both Germanys revived pre-World War II German artistic traditions. This exhibition examines the internalization of historic German art, the increasing importance of popular and mass culture, the fashioning of two distinct national identities, and the engagement with Germany’s political and artistic past. By tracing the political, cultural, and theoretical discourses in both German art worlds, the exhibition shows the role of conventional art, new media, new art forms, popular culture, and particular domestic and international contemporary art exhibitions that played a role in the establishment of German art in the postwar era. “Art of Two Germanys: Cold War Cultures” is the third ambitious exhibition on 20th century German art. We accompany Stephanie Barron, curator of the exhibition, and Sabine Eckmann, curator of the exhibition catalogue on a walk-through of this critical re-consideration of German post-WWII art.
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7001 |a Genzken, Isa,|e actor.
7001 |a Beuys, Joseph,|e actor.
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