Orem Library

A fascinating look at the world's first broadcast TV network. Making use of 285 reels of film discovered in the catacombs of the Berlin Federal Film Archive, it explores both the technology behind this new medium and the programming the Nazis chose.

Presents a documentary of Communist musicals made in the Soviet and eastern bloc countries that extoll the virtues of the peasants and workers while they sing and dance their way through the fields and factories.

This program investigates the ways various art forms are used to sway minds and to argue political causes. Examples include Napoleon and Hitler; artist such as Daumier, Hogath and Shann; writers Dickens, Swift and Orwell; and pop artists who mock popular ideals.

From the 1920s to the 1980s, the Soviet regime ordered the production of dozens of animated propaganda films. Their target audience was the Soviet Union itself, and their goal was to win the hearts and minds of the Soviet people. Commentary by leading Soviet film scholars.

Narrated by Udo Kier, the film asks what the Nazi cinema of the Third Reich reveals about its period and its people. About 1,000 feature films were made in Germany in the years between 1933-1945: musicals, melodramas, romances, costume dramas, and war films. Only a few were overtly Nazi propaganda films. But by the same token, even fewer of them can be considered harmless entertainment. How did the open lies and hidden truths in these films affect...

The Gleiwitz case reconstructs in detail the 1939 surprise attack by a Nazi unit on the radio station in Gleiwitz, a German town on the Polish border. This attack was blamed on Polish forces, thus served as Hitler's justification for marching into Poland and starting WWII. It shows how facts and opinions can be manipulated and how people are made to accept lies, murder and war. To depict fascism, director Gerhard Klein and his Czech cameraman, Jan...

Conant tells the story of young writer Roald Dahl who is assigned by His Majesty's Government to Washington, D.C. as a diplomat to gather intelligence about America's isolationist circles. In the course of his "spying," he meets or works closely with David Ogilvy, Ian Fleming, and the great spymaster William Stephenson (aka Intrepid).

We live in a world of influence operations run amok, where dark ads, psyops, hacks, bots, soft facts, ISIS, Putin, trolls, and Trump seek to shape our very reality. In this surreal atmosphere created to disorient us and undermine our sense of truth, we've lost not only our grip on peace and democracy--but our very notion of what those words even mean. The author takes us to the front lines of the disinformation age, where he meets Twitter revolutionaries...

In this Sundance Grand Jury Prize-winning film, a trio of Danish comedians, who call themselves "The red chapel," pretend to be regime sympathizers and mount an absurd variety show in Pyongyang. The result is an unconventional, hilarious and damning peek into a totalitarian regime.

Take a glimpse at the toxic mind of Joesph Goebbels, Hitler's henchman who was an enigmatic genius. The filmmakers allow Joesph to speak for himself (in the voice of Kenneth Branagh) via the extensive diaries that he kept from 1924-1945.