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"The thousands of paintings, drawings, and pieces of sculpture Hans Prinzhorn gathered from German asylums in the early 1920s displayed a raw, expressive power that would change the course of art history. When a new generation of modernists discovered his collection--Max Ernst, André Breton, and Salvador Dalí among them--they borrowed its ideas to inform their own investigations of the human psyche. But by the 1930s, Prinzhorn's artist-patients...
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